The Official Site of
Baritone André Chiang
Recent News
New Media
The Official Site of
Baritone André Chiang
Biography
Baritone André Chiang has been described as “vocally commanding” (Oregonian), “handsome of voice” (Opera News), and lauded with “let’s hear more from this singer” (Washington Post). Chiang’s recent engagements include Gianni Schicchi (Gianni Schicchi) with Opera Mississippi, Captain Smith (A Capacity for Evil) with Opera Las Vegas, and Clint (Fearless (workshop)) with OperaDelaware. Highlighted credits include Young Galileo/Salviati (Galileo Galilei), for which he was commercially recorded, and Ford (Falstaff) with Portland Opera; Anthony Hope (Sweeney Todd) with Virginia Opera; Lancelot in the Young Artist Matinee of Camelot at the Glimmerglass Festival; Dandini (La cenerentola) and Masetto (Don Giovanni) with Dayton Opera; and Escamillo (Carmen) with Mobile Opera. Chiang has also been engaged with Opera Theatre of Saint Louis, the Atlanta Opera, Opera Philadelphia, New Orleans Opera, Opera Birmingham, Pensacola Opera, Shreveport Opera, Opera Western Reserve, Painted Sky Opera, Ash Lawn Opera, Landlocked Opera, Louisiana Opera, Opéra Louisiane, the Natchez Festival of Music, and the Tulane Summer Lyric Theatre. Competition honors include Regional Finalist for the MONC Auditions, Winner of the 59th NFMC 2017 Biennial Young Artist Award, and Winner of the 45th NATS Artist Awards Competition.
In concert, Chiang has been the Baritone Soloist in Carmina Burana with the Baton Rouge Symphony, the Canterbury Voices, the Huntsville Symphony, and the Symphony Chorus of New Orleans. Chiang’s Stern Auditorium at Carnegie Hall debut came as the Baritone soloist in the World Premiere of Martin Palmeri’s Gran Misa. Other concert appearances occurred with the Louisiana Philharmonic, Richmond Symphony, Rapides Symphony, Washington Idaho Symphony, Northwest Florida Symphony, Enid Symphony, Las Vegas Sinfonietta, Louisiana Sinfonietta, Berkeley Community Chorus and Symphony, and regional choral societies. Along with major concert works, Chiang has been a featured recitalist throughout the nation with many groups including numerous NFMC chapters.
Upcoming engagements include Il Conte in Le nozze di Figaro with Landlocked Opera, Artist Martinez/Ecce Homo in the world premiere of Behold the Man with Opera Las Vegas, Escamillo (Carmen) with Opera Western Reserve, Guglielmo (Le villi) with Mobile Opera, Baritone Soloist (Mozart’s Verperae and BWV 106 and 80) with the Southern Nevada Musical Arts Society, Il Commissario (Madama Butterfly) with Opera Philadelphia, Ping (Turandot) with OperaDelaware, and Marcello (La bohème) with Opera Las Vegas.
As an educator, Chiang was a 2018 National Association of Teachers of Singing (NATS) Intern, designated a 2019 “National Center for Voice and Speech trained Vocologist”, and a part of the first cohort of Pan American Vocology Association – Recognized Vocologists (PAVA-RV) in 2022. He has presented at national conferences for the National Opera Association (NOA), NATS, PAVA, and the College Music Society (CMS). He has been a master class clinician or guest lecturer at Belmont University, Louisiana State University, the University of Memphis, Oklahoma City University, Penn State University, Sichuan Conservatory of Music, the University of Alabama, the University of Minnesota, Twin Cities, and the University of Missouri to name a few. Chiang has also published two articles in Classical Singer magazine with writing partner Victoria Vargas and plans to release two albums of underrepresented composer compositions.
As an administer, Chiang was the Artistic Director of Opera NexGen, Chairs the NFMC Young Artist Competition for Man’s Voice, Chairs the NATS Art Song Coalition and is Vice President of the Las Vegas Chapter of NATS, Treasurer for the Southwestern Region of CMS, and is a board member of the Asian Opera Alliance. Chiang is an Assistant Professor of Voice at the University of Nevada, Las Vegas, an Instructor of Voice at the Interlochen Summer Arts Camp, and runs a private online and in-person studio teaching acoustic and amplified styles. He formally was an Assistant Professor of Music - Voice at Oklahoma State University. His students have placed in the Metropolitan Opera Laffont Competition District level, NATS Auditions, State Trumbauer Festivals, and the NFMC Young Artist Competition. Students have performed with companies such as the Glimmerglass Festival, Kentucky Opera, Opera Las Vegas, Druid City Opera, Surging Films & Theatrics, Onstage at the Freeland, and Playhouse on the Square to name a few. Students have also participated in the Seraphic Fire Choral Institute in Aspen, CO, “Destination Broadway” in New York City, the Stella Adler Studio of Acting, and have gone on to study music at the University of Miami, Shenandoah Conservatory, the University of Illinois Champaign-Urbana, and musical theatre/theatre at Carnegie Mellon University and Oklahoma City University. Chiang was born and raised in Mobile, Alabama.
professional appointments
Summer 2022 to current:
Assistant Professor of Voice at the University of Nevada, Las Vegas
Summer 2022 to current:
Pan-American Vocology Association - Recognized Vocologist (PAVA-RV) (First Cohort)
Summer 2021 to current: (Four Summers)
Spring 2021 to current:
Summer 2019 to current:
Fall 2020 to Fall 2022:
Fall 2020 to Fall 2022:
Assistant Professor of Music - Voice at Oklahoma State University
UPCOMING
Florida State University
in Tallahassee, FL
Revírník (Forester)
in Příhody lišky Bystroušky (The Cunning Little Vixen)
April 5, 7, 2024
Opera Philadelphia
in Philadelphia, PA
The Imperial Commissioner
in Madama Butterfly
April 26, 28, May 3, 5, 2024
Opera Delaware
in Wilmington, DE
Ping
in Turandot
May 17, 19, 2024
Opera Las Vegas
in Las Vegas, NV
Marcello
in La bohème
June 7, 9, 2024
Upcoming Teaching/PRESENTING
National Opera Association
in Tempe, AZ
Performance Presenter
as He
in Cupboard Love
January 3 - 6, 2024
University of Alabama
in Tuscaloosa, AL
Master Class Clinician
January 23, 2023
Belmont University
in Nashville, TN
Guest Lecturer in the Advanced Vocal Pedagogy Class
January 24, 2023
University of Mississippi
in Oxford, MS
Master Class Clinician
January 25, 2023
Donald Wood Vocal Competition
in New Orleans, LA
Master Class Clinician for Participants at NOCCA
January 26, 2024
National Association of Teachers of Singing
in Knoxville, TN
Presenter of “The Composer and Singer Relationship: A Town Hall to Demystify Creating New Art Song” and “New Music Networking”
June 28 - July 2, 2024
Recent
Opera Delaware
in Wilmington, DE
Clint
in Fearless (workshop)
April 16, 2023
Landlocked Opera and the Missouri Symphony
in Columbia, MO
Il conte
in Le nozze di Figaro
September 9 & 10, 2023
Opera Las Vegas
in Las Vegas, NV
Artist Martinez and Ecce Homo
in Behold the Man
September 30 & October 1, 2023
Opera Western Reserve
in Youngstown, OH
Escamillo
in Carmen
November 17, 2023
Mobile Opera
in Mobile, AL
Guglielmo
in Le villi
February 3, 2024
Southern Nevada Musical Arts Society
in Las Vegas, NV
Baritone Soloist
in Mozart’s Vesperae solemnis and Bach’s Cantatas 80 and 106
March 10, 2024
Performing and presenting
OPERA
Guglielmo’s Aria from Le villi with Mobile Opera
Performed 2/3/2024
Artist Martinez/Ecce Homo Reel from Behold the Man with Opera Las Vegas
Performed 9/30 and 10/1/2023
“Hai gia vinta la causa” from Le nozze di Figaro with Landlocked Opera
Performed 9/9/2023
Captain Smith's Aria from A Capacity for Evil with Opera Las Vegas
Performed 1/25/2023
La bohème with Opera Western Reserve
Performed 11/11/2022
"Votre Toast" from Carmen - Mobile Opera
Performed 10/24/2021
ConcerT
Haydn's Die Jahreszeiten (The Seasons) - The Louisiana Philharmonic
Performed 3/2/2023
OSU President's Masterworks Concert of Vaughan Williams' Dona Nobis Pacem
Performed 4/14/2022
Messiah with the Bartlesville Choral Society
Performed 12/5/2021
SONG
"Always & Forever" from Ba— poems from Ocean - Tran / Vuong (2022) score video
Performed March 5, 2023
Ned Rorem's Evidence of Things Not Seen at the UCO Jazz Lab
Performed 11/2/2021
Here, Bullet: A song cycle by Kurt Erickson
Recorded 4/25/2021
In recital
Performed September 5, 2019
Full Program and Notes available at:
https://static1.squarespace.com/stati...
Performed February 16, 2016
Performed February 6, 2018
Full Program and Notes Available at:
https://static1.squarespace.com/stati...
Performed February 6, 2018
Full Program and Notes Available at:
https://static1.squarespace.com/stati...
Programs and notes
PRESENTATIONS
Session 09 at the 2024 NOA National Conference on 1/4/2024
other media
Publicity and academic Materials
press reviews
As artist maritnez and ecce homo in the world premiere of Behold the Man with Opera Las Vegas
“The opera’s synopsis intelligently followed the story of Cecilia, but what made this opera shine is how it imaginatively played up the ghost of artist Elías García Martínez and the “Ecce Homo” fresco. The audience was in love with baritone André Chiang as he let loose what one might describe as the “spirit of God” through his characters. Chiang delighted in the honesty of comedy and transparency of telling a good story at the same time. Every time he was on stage, or on screen as the virtual version of “Ecce Homo,” the audience was in tears laughing and commenting among one another. For me personally, I have never been to an opera where I felt the joy and excitement buzzing around me in this way. It was like a live wire generating a feel good buzz the entire time... In “Behold the Man” the idea of Jesus as a gif and meme gets transformed into a visual tapestry of hilariousness. Literally the panels at the back of the stage, where one can read subtitles, transition into a live action visual of the singing “Monkey Christ.” Baritone André Chiang sings as the botched “Ecce Homo” fresco and runs with it. The audience could not get enough of this scene. It’s also important to note that while visuals are common in operas nowadays, to experience them in this way is something brand new.”
As the Baritone Soloist in the World Premiere of Gran Misa by Martin Palmeri with Distinguished Concerts International New York presents ¡Buena Onda! Music from South America
“All the soloists (Ms. Holm, Kirsten Allegri Williams, Shawn Mlynek, and André Chiang) were excellent, and the large supportive audience went wild with their admiration, and why wouldn’t they?”
As the narrator in Svatební košile (the spectre’s bride) with the Berkeley community chorus and orchestra
“The Narrator was André Chiang, whose sinewy baritone rattled the rafters of Hertz Hall.”
as Dr. Falke in Die fledermaus with Portland Opera
“The best surprise of the evening was André Chiang’s formidable baritone in the role of Dr. Falke. This bodes well for Chiang a former Portland Opera Resident Artist, and his burgeoning career.”
“All three baritones were handsome of voice: Daniel Belcher as Eisenstein seemed to change vocal color with ease; André Chiang as Dr. Falke was staid in his acting; Alexander Elliott as Frank played an older character credibly.”
as belcore in L'elisir d'amore with opera birmiingham
“Belcore, the arrogant military foil to Nemorino, was portrayed by Mobile baritone André Chiang, who brought comically-rich awkwardness to the commander’s mannerisms. In “Come Paride vezzoso,” he attempted to woo Adina, brandishing and flipping flowers in her face as though inviting a fencing match, and petting her wrist with an odd scratching/tickling motion. His full-bodied warm voice was a pleasure to hear and his tongue-in-cheek, stooge-ish approach was fresh.”
As Fiorello in Il baribiere di Siviglia with Virginia Opera
“... André Chiang was an unusually strong Fiorello — let’s hear more from this singer ...”
“Bass Andre Chiang, who was a terrific Anthony Hope in Virginia Opera’s 2014 “Sweeney Todd,” stands out as the count’s servant Fiorello and as the head policeman. Even in a minor role, he has great presence; one just wants to see and hear more of him.”
As Le Dancaïre in Carmen with Virginia Opera
“Chiang had awesome clarity of voice, superb diction, and that indefinable thing called “presence”—when he was onstage, you had to look at him!”
“...even some of the supporting cast—Andre Chiang as a gypsy smuggler—offer stout voices to smaller roles.”
As Baron Duphol in La traviata with Virginia Opera
“While “Traviata” is notable for its focus on its three main characters, the supporting players are important as well, particularly the smaller roles of Flora Bervoix and Baron Douphol, Violetta’s once and future lover. Both were incisively played by Courtney Miller and André Chiang respectively, with Mr. Chiang’s austere dignity providing crucial support at important moments in this opera’s key conflict.”
“Other fine vocals were displayed by Malcolm MacKenzie (Georgio Germont, Alfredo’s father), Courtney Miller (Flora Bervoix), and Andre Chiang, as Baron Douphol.”
“Secondary leads are notable as well, especially baritone Andre Chiang, who cuts an aristocratic figure as Baron Duphol and sings with a bright, copper tone...”
As Anthony Hope in Sweeney Todd with Virginia Opera
“As the well-meaning but not-always-bright Anthony Hope,... Andre Chiang’s ringing but pleasant baritone added a normal and welcome counterpoint to the insanity transpiring on stage.”
“Chiang’s sensual “Johanna” followed by Opuszynski luscious “Green Finch and Linnet Bird” was easily one of the highlights of this production. Both exuded the youthful optimism of their characters set against the dark stains of industrial London.”
“Andre Chiang used his bright tenor deftly as Anthony and Amanda Opuszynski chirped sweetly as Johanna.”
“...some other strong showings, notably the baritone Andre Chiang, currently in the company’s young-artist program, as the naive young sailor Anthony...”
“Andre Chiang, as the young hero Anthony, performs his role with a rich baritone, as he sings a beautiful rendition of “Johanna.””
“Andre Chiang as Anthony, Amanda Opuszynski as Johanna and Jake Gardner as Judge Turpin are other standouts in the cast.”
“Amanda Opuszynski, as Johanna, and Andre Chiang, as Anthony Hope... are an attractive and suitably fresh-voiced couple. Chiang gives “I Feel You, Johanna,” the show’s big romantic number, the full measure of warmth and yearning.”
“Andre Chiang is a vocal highlight with the yearning ballad “Johanna”...”
“Baritone Andre Chiang’s big, ardent voice and honest simplicity are perfect for the role of Anthony Hope...”
As Argante in Rinaldo with Portland Opera
“Tenor Matthew Grills’ Goffredo, baritone André Chiang’s Argante and bass Nicolas Nelson’s Araldo and Mago covered the male range with vocally commanding performances.”
“...baritone Andre Chiang is a commanding Argante...”
“Resident artists Matthew Grills and André Chiang also give strong performances as the rival Christian captain and King of Jerusalem.”
as Younger Galileo in galileo galilei with portland opera
“With a bold and resonant voice, baritone André Chiang plays younger Galileo...”
“The singers made the best of it... André Chiang took over as the younger man with similarly clear voice and stage presence.”
“...Andre Chiang who plays him as the younger scientist (Chiang is an up-and-coming baritone who sang the Prince in this season of PO’s Madama Butterfly), made Galileo come alive at various ages and stages of life.”
“Mostly because of the nature of Glass’ characterization, the character really comes to life as the younger Galileo, and baritone André Chiang, one of the cast’s “studio artists” (PO’s equivalent of Seattle Opera’s Young Artists Program), elicits the scientist’s exuberant, insatiable curiosity with flair.”
“Tenor Richard Troxell, who usually plays young men, was persuasive as Older Galileo, yielding midway to smooth baritone André Chiang (Salviati, Younger Galileo).”
Press Links
André plays the roles of Younger Galileo/Salviati on the commercial recording of Philip Glass’ Galileo Galilei. Click the image for the amazon listing!
Lessons
TEACHING DEMONSTRATIONS
TREBLE VOICE LESSON DEMONSTRATION
LOW VOICE LESSON DEMONSTRATION
Presented at the University of Mississippi on 1/25/2024
Presented at Oregon State University on 10/24/2019
Master Class Photos
April 4, 2022 - Master Class at Southeastern Louisiana University in Hammond, LA. Photo: Johnnie Bankens
January 25, 2024 - Master Class at the University of Mississippi in Oxford, MS. Photo: Olivia Yokers
January 26, 2024 - Master Class at the New Orleans Center for the Creative Arts in tandem with New Orleans Opera. Photo: Dylan Trần
presentation materials
Testimonials
“André Chiang’s vocal instruction has been invaluable to me as I pursue singing - especially professional ensemble work - as a more significant component of my musical career. His technical pedagogy is an excellently-balanced combination of function and sensation, which is magic in the hands of an intuitive and creative teacher with his precise ear, eye, and vocal model. By all accounts, too, our lessons are great fun. He is a joy to work with!
I've enjoyed new and exciting exploration of the capabilities and potential of my voice, and André’s teaching has facilitated immediate tangible improvements in all facets of my singing life, which has opened doors to more work and opportunities. He has also helped me develop routines for vocal health and consistency that suit my lifestyle as a frequent traveler with a busy and variable schedule. And, as a conductor, our time together has directly enriched my group vocal pedagogy. I highly recommend voice lessons with André!”
-Sarah Bowe, Conductor and Soprano; Boston, MA
"My experience working with Mr. André Chiang this past year has been an absolute wonder. As a gender fluid transgender, I have taken on both male and female roles. Mr. Chiang has been able to work with me to strengthen both voices, focusing primarily on the male modal voice. His technique of maintaining optimum oropharyngeal spacing, with minimal excess subglottal pressure, constant and adequate breath flow, and freedom in the bodies natural resonators has helped me achieve more volume and projection in my sound while compensating for tonsils and adenoids that are twice and triple the normal size. It has given me more masculine and distinguishable sound. With his guidance, I have sung songs and roles like Sebastian from “The Little Mermaid” all the way to Celie from “The Color Purple”. Mr. Chiang, during lessons, is very forward with vocal progression and has a realism of the professional world that reinforces my want to continue my studies with him. I recommend him for beginners to professional singers and I promise that you will not be disappointed."
-Shanarrous Briggins-Pollard, Registered Respiratory Therapist; Mobile, AL and New York, NY
“Andre Chiang has fundamentally modified my understanding of vocal production, and has given me tools to continue the process on my own journey. Being an Avocational singer I have been privileged to participate in diverse musical venues, but do not have a formal education in music or singing. Andre assisted me in understanding the basics, has great ability in identifying tension points that block a healthy release of tone, and continues to work towards releasing such tension. In a sense this has given me a fresh start with a voice that is again healthy.”
-Grant Parks, Avocational Singer; Dayton, OH
“André Chiang is an amazing voice teacher! He talks with, rather than at, his students, and has a wide array of knowledge in the anatomy and physiology of the human body and how that relates back to singing! André notices when his students don’t quite understand what he says and will readily present whatever concept in a different way, so as to clear up any confusion! André cares for his students and helps them get ready to perform, audition, teach, etc.!”
-Jonathan Thomas, Louisiana State University student majoring in Biological Engineering and minoring in Music; Baton Rouge, LA
Coaching with André has been the best decision I’ve made in my Undergrad. André has gone above and beyond to help me improve my craft. His unique and adaptive style of teaching ranges from pedagogical to hands on learning (of course with the students permission) to spectrogram. The ways in which I have grown as an overall musician solely due to his mentorship and advice are numerous. I was able to finish in 1st place in the Louisiana State NATS Auditions only because of the coachings and advice that André gave me. The experience he has a professional singer and trained vocologist has gifted him with an immense amount of knowledge on multiple music genres. Whenever I work with André, I know I’m in a safe space in which I can discuss any problems I’m having at all. Without his guidance and expertise, I wouldn’t be where I am today.
-Josh Thomas, Master of Music from the University of Michigan, Bachelor of Music in Vocal Performance at Louisiana State University
